It's entirely possible that sending the audience out feeling lousy was intentional

This film is so real. It treats its characters with so much care and sensitivity.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

THE TROOPS OF ST. TROPEZ is a hilarious comedy, which brings an abundance of a cheap humor and fast fun. This is a somewhat satirical look at some serious social issues that rotate continuously in the story. That is, from the beginning, very frivolous.Ludovic Cruchot, a gendarme is the embodiment of the law in a small French village. He has been re-assigned to the seaside commune of Saint-Tropez under the orders of command sergeant major Gerber. His beautiful and rebellious daughter goes with him. The gendarmes have a serious problem: a group of persistent nudists. However, Cruchot has an "ingenious" plan. Meanwhile, his daughter comes in contact with a gang of thieves...This is a very pleasant and short amusement, regardless of the whole range of unpleasant coincidence. The scenery is is a big hit, because it distracts attention from a distorted perspective on society. There is no place for a parody, this is a comic charade with unclear directions. Mr. Girauld has managed to shuffle all the elements, such as family, crime, religion, youthful rebellious spirit and incompetent guardians of law and order.Louis de Funès as Ludovic Cruchot has, given to his movements, noises, grimaces and gestures, completely stole the show. He has an aesthetic sense of humor, which is accompanied with his enormous energy. Well, Cruchot somewhat reminiscent on well known inspector Clouseau. Geneviève Grad as Nicole Cruchot is a beautiful girl from a province who comes into a tourist paradise. She has two problems: her youthful rebellious nature and a strict father, who happens to be a hyperactive gendarme. Michel Galabru as warrant officer Jérôme Gerber is preparing for the madness, at least for now.The films about gendarmes from a hot French coast are, like many other things, a part of my childhood.

The ambitious police officer Cruchot is transferred to St. Tropez. He's struggling with persistent nude swimmers, but even more with his teenage daughter, who's trying to impress her rich friends by telling them her father was a millionaire and owned a yacht in the harbor.This film was such a pleasant surprise. I knew nothing going into it, was not familiar with the actors or anyone involved. Heck, I did not even know it was a comedy or what kind of comedy it was. And it hit me hard with laughs, definitely one of the finest French comedies ever made.By far the funniest part is the chasing of the nude swimmers. Somehow they manage to do it without it being obscene, just silly and quite humorous. If nothing else, the film is worth seeing for that sequence.

Of all the genres, comedy is the one which gets more easily dated. That's because the conventions for each moment in time (and for each culture) are very volatile, they change quickly. And, for some reason, we don't "pile" new notions over old ones, which is to say, with humor, once we have new conventions, we reject old ones (unlike, for instance, the detective film). This means that what makes people laugh now, won't work in a very short time. I'm still young, and i've seen that happen, with films i saw as a teen. But than we have another aspect to be reckoned: the fact that, though audiences adapt to new conventions regardless of their age (as long as they keep seeing new films and live active social lives), they still gain a cinematic memory. So, many times, people "know" that they will re-watch a film which "is" funny, they remember they laughed out loud when they saw it the first time.I saw this film with my mother, and i registered this effect on her. To me, this was something i had seen 10 years ago, to her, it was a memory from childhood, when these gendarme films were fresh.Now they aren't fresh. Social criticisms here are totally out of date for European societies, even for the Portuguese!, so that's a card out of the deck.The kind of gimmick Funés uses are also no longer so watchable. Physical acting has evolved to play with the body as an object (Jim Carey type) more than with the placing of the characters in a funny situation, like here (Chaplin made both things).I do sympathize with his unlikable character. The witty policeman, despicable, over-protective about his girl (that's social commentary as well), caring for appearances. It's a matter of attitude, and Louis de Funés was a valuable performer.One thing is remarkable about this film and its context: St.Tropez. What is remarkable, besides beautiful beaches, and pleasant lifestyle, is how cinema was an important, even fundamental, piece of the publicity machinery the french created to promote the place. It starts with 'Et dieu crea la femme', and it goes through a number of other films, including this one. Here we even have a song about the village, obviously made to promote both the film and the place. So here (as with 'and god...') we have the key elements that were important to highlight: beach, sand, summer-mood, boats, high life, open-minded relaxed living youth, attractive girls. The story exists to show off these elements. Well, you go today to St Tropez and compare it to what we have here in this film (and specially in 'and god..') and you have to admit they were successful in their campaign.My opinion: 3/5 http://www.7eyes.wordpress.com

Very much a 1960s style European beach comedy. The plot won't win any literary prizes, the gags are little better than average, but the comic timing of Funes, Lefebvre, Galabru, etc. is brilliant, study material for acting school. This is very much a feel-good slapstick comedy with the usual towering central performance of Louis de Funes in the title role, a prime example of a central character carrying a movie.The best bit of the film is the black-and-white pre-credit opening sequence, set before Cruchot's move to St.Tropez. The scene with the chicken-thief and the choir is priceless.