The Good Heart
Jacques is the curmudgeonly owner of a gritty New York dive bar that serves as home to a motley assortment of professional drinkers. Jacques is determinedly drinking and smoking himself to death when he meets Lucas, a homeless young man who has already given up on life. Determined to keep his legacy alive, Jacques deems Lucas is a fitting heir and takes him under his wing.
-
- Cast:
- Brian Cox , Paul Dano , Stephanie Szostak , Isild Le Besco , Bill Buell , Ed Wheeler , Clark Middleton
Similar titles
Reviews
Just perfect...
This is a dark and sometimes deeply uncomfortable drama
The film never slows down or bores, plunging from one harrowing sequence to the next.
The film never slows down or bores, plunging from one harrowing sequence to the next.
This movie is about Brian Cox... Director Dagur Kari provides a stage. Paul Dano is great being a looking-glass. But Brian Cox's Jacques is monumental, he literally carries the action from the first second he steps in. He energizes the viewer, no matter how one classifies his moral actions. The bar scene is one of surrealistic charm, dwelled by decameronesque characters and maintained as a personal fiefdom by Jacques. The short story on the cover is "A bartender takes a young homeless man in under his wing" but there is so MUCH more to it. Lucas (Paul Dano) represents here a humanity clear of prejudice, pure and immortal. The suicide attempt doesn't stop him. Nor does death itself, his heart symbolically living on in another body. Supporting actress Isild le Besco is somehow incongruous, offering not believable French accented replies. Underwhelming, as her debut movies in France, where her naked skin prevails. Probably a strong actress, I am thinking here Emily Mortimer, or Marie-Louise Parker, or, -if they really wanted a French one, how about Sandrine Kiberlain? -would have done much better. Solidly memorable, Brian Cox gives this movie so much personality and energy that only true talent can offer. In line with Anthony Hopkins and Ben Kingsley, Cox is another Musqueteer of a generation of powerful performances from Britain to enchant us. Watch this great movie, and a bar will never look the same to you!
The film is something between a feel-good and melancholic thoughtful movie. Sometimes, the dialog is really good, and the bar owner is great in his role.However, the movie is a little bit too much predictable in many scenes. Sometimes, it's good when a film can't be put in a specific genre. But for this one, I wish it would have been more consequent in style. It feels like the director couldn't make up his mind.For some interesting dialogs, the nice atmosphere and the great bar owner role, I give this movie 5/10.*spoiler warning* For the lack of knowledge about what happened to the stewardess and for the 5-10 silent seconds before the end-music starts playing (sometimes, it add to the atmosphere to do like that, but here it was totally wrong) I can't give it more than 5.If you don't have anything else to do, this film is OK to watch. (It's actually much better than most of what's going on the cinemas nowadays...)
This film is about a bitter bar owner who insults everyone he sees. He encounters a homeless young man with a good nature, and takes him as his apprentice in the bar."The Good Heart" is filmed artistically. The mostly dark colour scheme, and the old and bleak sets augment the film's dismal atmosphere. The story follows a predictable pattern, as two individuals with vastly different personalities collide, they change each other. Brian Cox puts on a great performance as a character who is bitter and cold. Paul Dano's character is very good natured to the point that he is vulnerable to exploitation. He has the good heart, which I did not imagine it to have a literal meaning. However, the slow pacing and the overly bleak atmosphere hurt the enjoyment factor. If this story was filmed as a light hearted comedy, it would have worked better.
After making such a great debut film Noi Albino, and following that up with the fairly enjoyable Dark Horse, it pains me to tell you that The Good Heart is a real let down. Apart from it's look I can't pick out any other positives. It's puzzling to know why the director decided to make this film in English, apart from maybe a greater chance at financial success, as the story and characters have no relevance to their surroundings. It's nauseatingly quirky, desperately predictable and me and my friends were extremely disappointed.I plead to Dagur Kári, the director, to go back to where he knows and develop his trade. One more film like this and he will be well and truly struck off my list.