I like the storyline of this show,it attract me so much

In truth, there is barely enough story here to make a film.

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

It’s sentimental, ridiculously long and only occasionally funny

I would bet that this movie was someone's dare. It is a joke from start to finish, and not in a good way.We want to laugh with it but we just end up with a giggle or two, mostly because of the embarrassment that we actually chose to see it. There is no coherent story line just a number of small segments glued together to make a movie. We don't see the point of it, and after some time we just give up and can't wait for it to end...What a waste of time! Avoid this one...

I missed this on initial release, despite being a fan of all four directors, and have somehow missed it on video/DVD/TV in the intervening years. With The Hateful Eight coming out soon I've been re-watching all of Tarantino's work so far and decided to fill in the one gap in my collection. I simply can't believe how bad this film is. Every bit of it fails. It's not funny, it's not interesting, it's not any good! From the opening cartoon titles and terrible music it felt poorly constructed. But that's nothing compared to the actors. Tim Roth is awful! His strangely mannered performance is embarrassing with no comic timing. You can't blame him entirely though. Everyone (with the exception of Jennifer Beals and Marisa Tomei) is terrible. Every line falls flat. I'm still in shock how awful the finished film is considering the talent involved. If you're a fan of Tarantino's, of any of the actors in this or of cinema in general avoid this like Ebola!

Even from the start, we have the Tarantino vibe here, although he's only partly responsible for the film. Different room, different writer/director. Tim Roth is to carry this film, and he really does get on your nerves, and even though he acts absurdly, over the top, off the wall, in a totally unrealistic (well, he's not the only one) character, it's what the role calls for, and in that context, he succeeds brilliantly. Watching him lose it, was the strongest moments. It's New Years Eve, and being the new bell boy, like the Gekko Brothers at The Titty Twister, Ted (don't call him Theodore) (Roth) he's got one hell of a night ahead of him. Lets start with the covern (not oven) of witches, where we get to see Ione's Skye's slightly pathetic boobs. A ceremony of bologne is in in the waiting. This is the weakest one of the four stories. Things get weirder and much more intense, as we move onto the lover's quarrel, where poor Ted as just having pashed Ione Skye, hits more serious waters, unwittingly getting in the middle, of this mad couple problems of infidelity, where the husband holds Teddy at gunpoint. Finally surviving these two nutjobs, where we do have a second serve from one of them (the less threatening) later on, we move onto The Misbehavers which provide a bizarre and stylishly different scenario, I liked, where finally we come to the main story we've all been waiting for, about a director, played by.... have a guess? and his entourage, who really set a good example of what stupid things people do, when they're drunk, minus a pinkie. Tarantino really steals the moments here, acting not like an actor, but a director acting like a director with a lot of CU shots, where his presence holds are complete attention. He's eloquent and his body language is fantastic. I just love watching him trying to act, but he's just being him, comparing movie's what not. He shows up the other writers with his input of dialogue, though of course, more suited behind a camera, despite his awesome confidence in front of it. Yes, that was the worst club sandwich I've ever seen too. Four Rooms is certainly different with same truly impressive performances, which I will note because they deserve credit, beside Roth who's wonderful of course. Refer by Surname: Skye, Proval, Beals especially, Wills especially, Banderas, Tomei. If a QT fan, don't pass it off. It's animation in the opening credits is a killer.

When I was in high school, anything Tarantino-related was required to be memorized. Yes, even this one was insisted upon in high school, though perhaps not as strongly as QT's first two. This portmanteau follows bellhop Tim Roth as he gets into several adventures over New Year's Eve. I remember liking this one quite a bit, but, viewing it now, it's just too uneven to be worthwhile. Anders' first segment is easily the low point, thankfully. Any film starring Madonna should be immediately suspect, and everything about this tale of witches is awful. Rockwell's segment is a bit of an improvement, but too forgettable. Rodriguez's segment is the one I remember being the best, and it thankfully does hold up okay. Antonio Banderas is hilarious in it, and most of the jokes hit. I remember QT's segment being the worst originally, but I actually thought it was by far the best this time around. It usually gets flack, I think, because it stars Tarantino, but he's comfortable here playing a pompous movie director. It's honestly his best performance (if it had been readily available, I might have suffered through Destiny Turns on the Radio again) and his direction is pretty brilliant. The one thing that really drags this whole movie down is Tim Roth. Man, I remember loving him when I was a teenager, and, though I criticized his performance in Reservoir Dogs above, he's on Olivier's level there compared to his awful mugging here. Even if QT's segment were the weakest, it would automatically be upgraded to the strongest just because he's the only one who settles Roth the crap down, a bit at least.