what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

The film never slows down or bores, plunging from one harrowing sequence to the next.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

I can't really describe the feeling when I watch this film, I neither love it or hate it...I just feel really mixed. Like it just exists. Coming hot off of Casino Royale, Martin Campbell revisits the BBC series and turns it into a feature film that incorporates shadowy organisations, conspiracies and vengeance. A good conspiracy leaves you on the edge of your seat, this does not...but it's actually rather mature and intelligent. Sure, remove the improbable ending and slow beginning, and what we are left with is a very mysterious plot that I'm certain probably does happen in reality with big governmental organisations (less extreme of course, I'm looking at you Apple!). Whilst our lead character is playing the detective role and following the bread crumbs so to speak, he is also a father mourning the tragic death of his daughter which definitely brings in some much needed emotion and motive. Crazy Mel Gibson, who hadn't had a lead role since Signs, plays the Boston detective who...can hear the voice of his deceased daughter and engage in conversations with her...maybe he is crazy after all. To be fair, he was pretty decent and was able to hold my attention. Ray Winstone was strange casting and didn't really work for me, who plays a shady agent with his own motives. Danny Huston though, always a good choice although slightly underused. Martin Campbell's directing style felt like it was made for TV, nothing snazzy or spectacular...just functional. Perhaps a well intentioned choice to keep it in the roots of the TV series. Two scenes though, absolutely magnificent or what I like to call "Oh My God" moments. One involves the detective's daughter and the other a collision with a car. Literally happened out of nowhere and caught me off guard, excellent editing! But still...I feel "meh" even thinking about the film. It's finely crafted, and utterly watchable if you had nothing to do on a Sunday afternoon. I just don't think I'll ever fully appreciate it. Worth a watch.

this film maybe by far the worst film i have ever seen. boring,boring,boring. i watched the trailer and thought this was going to be a lot of fun,entertaining,and a good story,i was wrong,trailer was misleading. awful film.very poor plot. i would not recommend this film to anyone.

Continuing my plan to watch every Mel Gibson movie in order I come to Edge Of Darkness (2010)This was the first movie starring Mel Gibson in a leading role in 8 years. And to say a lot had happened in those years is an understatement. He stood by Robert Downey Jr's side during his personal problems and A hate filled rant whilst being pulled for DUI. Apocalypto doing well despite being a tough sell on top of Gibson's scandal was proof audiences will ignore a certain amount of bad behaviour.Plot In A Paragraph: As homicide detective Thomas Craven (Gibson) investigates the murder of his daughter, he uncovers not only her secret life, but a corporate cover-up and government collusion that attracts an agent tasked with cleaning up the evidence.This is a tough one for me to review, as I was a fan of the BBC mini series this is based on. They obviously changed a lot, to fit it into the time constraints of one movie, but it's not bad, it's not great by any means, but it's an above average movie that has a few 'jump' moments in there too. All the supporting cast are fine, and Winstone pops up in possibly my favourite performance from him, but this is Gibson's movie, and for me, in Edge of Darkness, he remains a likable man with a natural screen presence, whose character I didn't have too hard of a time getting behind. Edge Of Darkness grossed $43 million dollars at the Domestic Box Office to end 2010 the 73rd highest grossing movie of the year. So, it wasn't a hit for Gibson.  But it didn't totally bomb either.  If anything, it can probably be viewed as a minor victory, that some (maybe only older action fans) audiences didn't seem to be holding his scandals against him.And the THOSE tapes dropped.

Mel Gibson makes a welcome return to the big screen with this, a remake of an acclaimed BBC miniseries from the 1980s which has the same director in Martin Campbell. I hadn't seen the original version, but I saw that William Monahan was present as screenwriter and after enjoying his previous remake (THE DEPARTED) I thought I'd probably like this one. I was wrong. I didn't just like this – I loved it! This film contains everything I love about thrillers: a conspiracy reaching to the highest levels, sinister guys in black suits and 4x4s with tinted windows always in the background, a lone hero looking for justice, and a few blistering action sequences thrown in for good measure.The story of a father seeking justice for his murdered daughter is nothing new, but the intelligent and literate script breathes life into the tired premise and makes it seem fresh once more. Despite the presence of some brief, decent action (a fight that recalls the one in QUANTUM OF SOLACE and a car stunt that recalls the one in CASINO ROYALE) this is more of a thinking man's thriller as our hero tries to make sense of jigsaw clues and a conspiracy blackout.Gibson has long been one of my favourite presences in Hollywood. His films, whether as director or actor, always seem to have heart and I hope his new Viking movie ends up getting made. He's on top form here as the grieving father, accessing some really dark areas and at the same time providing some touching moments when he sees his daughter before him. The supporting cast is also fine, with stand-out turns from Danny Huston as the slimy suited bad guy and Ray Winstone as an ambivalent figure, the kind who "stops you connecting A to B".The best presence of all is that of Martin Campbell, who directs a film that's extremely polished and well made, with every scene crafted so that it's just right. The climax is inevitable but well handled and it's nice to see the bad guys getting their just deserts in such a well-filmed way. Definitely one of the year's best, this.