Genius

PG-13 6.5
2016 1 hr 44 min Drama , History

New York in the 1920s. Max Perkins, a literary editor is the first to sign such subsequent literary greats as Ernest Hemingway and F. Scott Fitzgerald. When a sprawling, chaotic 1,000-page manuscript by an unknown writer falls into his hands, Perkins is convinced he has discovered a literary genius.

  • Cast:
    Colin Firth , Jude Law , Nicole Kidman , Laura Linney , Guy Pearce , Dominic West , Vanessa Kirby

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Reviews

Lovesusti
2016/06/10

The Worst Film Ever

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SpuffyWeb
2016/06/11

Sadly Over-hyped

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Lightdeossk
2016/06/12

Captivating movie !

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Hattie
2016/06/13

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

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jwriter-09410
2016/06/14

When I was in Asheville, North Carolina two years ago in August of 2016 to visit Thomas Wolfe's home, the movie "Genius" had just come out in June and I had planned to see it. Like many, I'm a huge Thomas Wolfe fan. The movie was already out of theaters when I returned home. I didn't know the film was based on A. Scott Berg's book, "Max Perkins" when I happened onto this great biography this April at the University of Chicago's bookstore. So when I rented "Genius" on Saturday and watched it, seeing that it was based on Berg's work, I knew everything had been lined up for me to see it in this manner. Despite what a few of the obnoxious critics wrote, most of whom I'm certain didn't read Berg's book, this movie does provide a fairly accurate presentation of Thomas Wolfe and Maxwell Perkins, based on Berg's book. It's not exact, which is what the critics have jumped on because at the beginning of the movie, it states, "A True Story," not "Based on a True Story," but it most certainly provides a glimpse of who these men were, their relationship, their work together, their personal struggles, etc. All of the scenes in the movie, with the exception of the jazz club, were in the book, just as presented. I would encourage anyone interested in great American literature to see "Genius." Thomas Wolfe could have been somewhat manic, as depicted in the movie - although the extreme level of wildness depicted by Jude Law is one point in the movie that I struggled with throughout the film. When you read his books, that's not the Thomas Wolfe you see in your mind's-eye. He's much more cerebral, contained, but certainly passionate about his work. However, they probably felt they needed the character to have that level of energy to keep the audience's interest. Many thanks to Desert Wolf Productions' John Logan (screenwriter/producer) and James Bagley (producer) for bringing this story to the screen. From my perspective, it's impossible not to be blown away at Thomas Wolfe's incredible talent as a "poet novelist." I hope some of you will read "Look Homeward Angel," "Of Time and the River," and "You Can't Go Home Again." They are pure genius!

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Reno Rangan
2016/06/15

I felt the title 'Genius' was not appropriate for how the story revolved in the film. It was more like a commitment and priority given to those undertaking than any other stuffs and that's why it looked like a genius from others eyes. Though I won't deny the experience always comes very handy. This film tells the story of ant editor and how he meets one of the best writers of his time. But they two together give the literature world some masterpiece works and that's the tale the film very genuinely presented to us.This story takes place around the 1930s. An enthusiastic writer and a genius editor develop a strong bond, especially from their professional, but it goes beyond that. When both the families struggle while these two men completely dissolved with their works. So the takes from different angles about the different issues nicely revealed.This biographical film is nothing short for any inspiration if you are looking for some. If you are a book lover, then this is not to be missed, especially if you have read the books by Thomas Wolfe. It's unbelievable that the film was made by a first time director. The actors, including the Colin Firth and Jude Law in the major roles was exceptionally good. We have seen many great films about the authors, so for a difference this film focused on an editor. It stands on the line of Bryan Cranston's 'Trumbo'. I hope you won't miss it, because it is so good if you appreciate the real life achievers, even those standing behind someone's achievements.8/10

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brooksrob1
2016/06/16

It's not easy, in these times, to be moved and inspired by something as simple as a story in a movie...I knew nothing of Thomas Wolfe and most likely, I will not remember him long but...You understand from the writer of the movie and his perspective of Wolfe that; he understands. I felt choked up as the last words of the movie were said and yet a smile of joy crossed my face. It's seeing the beauty and magic of words and reminds us of how lucky we are to have been blessed with masters of the written word. I spent some time after watching this great movie, learning about Mr. Wolfe...He was a man not much different than many men of the early 20th century. Bold, brave, learned, articulate and driven. There are many amazing authors from the 20th century, Hemingway, Joyce, Faulkner,Fitzgerald, Salinger,DH Lawrence et al. - make it a point in your life to read as many as you may. " Better pass boldly into that other world, in the full glory of some passion, than fade and wither dismally with age." Joyce.

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Rodrigo Amaro
2016/06/17

The great Truman Capote once brilliantly said that "when God hands you a gift, he also hands you a whip; and the whip is intended for self-flagellation." I tend to think that the last part is the most definitive and most painful one, specially to a crafted artist whether being a writer, a filmmaker or anything related to the arts. The amount of trouble, pain and suffering that goes through the mind of a creative mind during the long process of making something meaningful, the roads taken to make that art relevant or at least palatable to someone is like moving mountains you're not completely sure they must be moved in the first place, or never knowing that they're heading to the right direction. I've never read Thomas Wolfe's works but what I could gather here in "Genius" seems like a true definition to Capote's words. Here's a talented yet tormented soul that knew how to expose his views with long descriptions about the world he knew, it seemed brilliant on paper but it dragged on endlessly each book came by...but that in the words of his editor who managed to make those works something that readers would like to read. It's more of question of Wolfe being born on the wrong era; in our times it's quite possible that he'd manage to publish his novels in the way he intended to be. Unfortunately, books are a true definitive so everything that is essential must stay on the page, and in the mind of a writer this is a constant and heavy torment to bear, specially when you're forced to leave something out or worst, when you think you left out something important. It's not like a big budget film where years later the author can make a director's cut version, changing and adding stuff to the audience to present how the original idea was better than the edited version the studio forced them to release. Intelligent readers and watchers of the world, this movie is for you despite its imperfections and it's lack of a higher engagement. "Genius" stars Colin Firth as Max Perkins, the famous editor who published best-sellers from the likes of F. Scott Fitzgerald and Ernest Hemingway. One day a huge manuscript came to his desk from a certain unknown Thomas Wolfe (Jude Law). Intrigued by the story and the evident talent by the young man, Perkins decides to publish the book on the condition of extensive rewrites to make it shorter. Wolfe is appalled but since Perkins' publishing company was the first to accept his novel after being rejected by several others, he complies and gets instructions in how to reduce what's repetitive and unworthy and make it more concise (Perkins was also a writer). The result was "Look Homeward, Angel" and the rest is a successful history that evolved into a deep friendship between both men. Since films cannot translate with exact measure the weight of a literary work, we only get glimpses of what Wolfe writers with a minimum of context - but they worked at least for what I saw and the intended message of conveying Wolfe's world. Then inspiration came again to Wolfe. Boxes and boxes of manuscripts totaling 5000 pages and in what would become "Of Time end the River", drastically reduced and with years of development to reach its known version. But by that time Wolfe and Perkins relationship (friends at first, then more paternalistic to Wolfe) started to deteriorate not only because of constant fights over why it was important the book stay in that long way but also due to personal problems Wolfe had with his rich girlfriend (Nicole Kidman); and also some minor problems Perkins had in spending some quality time with his family because of his work obsession with that epic book.In the end, "Genius" fascinates us without that extra twinkle in the eye one would expect from a real-life story. It doesn't inspire neither cause amazement; but it reveals a reality hardly seen or presented on films. John Logan's script isn't one of his greatest, it's quite moderate but perhaps there's something about the acting or the direction that forced the film in going to a path that wasn't so brilliant or appreciative. The characters are somewhat distant that it's hardly to engage for any of them or to deeply understand their true motivations: is Perkins right with his guidance to Wolfe or it's just a matter of sabotage because he'd become a writer more referenced than Perkins was? Perkins is right in cutting everything because the other is pretentious or because there's a lack of talent in there but he knows how to shape it? It's all a mystery.Firth is always a true class act even though he makes of Perkins someone really cold; Law is over-the-top but Wolfe might have been that kind of guy, who shouts and flows with such energy that is hard to deal with it, some would say his performance is erratic, to me it was on/off. Kidman didn't impress me, showing off a lot; and Laura Linney steals the show as Perkins wife. The problem with "Genius" is having a first-time director carrying this material. Sure, Michael Grandage is a known theater name but he's no Orson Welles or Sam Mendes to make a spectacular transition with such high-class cast and material. Wolfe made his mark, now he's part of the American canon of writers of the 20th Century. But the readers of the world were deprived of something that now is lost and gone forever thanks to Perkins. We'll never know who got it right in this battle for the arts. And I think it's fair to say that the talent Perkins had also came with a whip, one that was more hard-hitting on him whether editing his friend's book but also in ways that their friendship almost ended. 8/10

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