You won't be disappointed!

The Worst Film Ever

Load of rubbish!!

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

The strangest thing happened to me while watching this movie: I started to like this character, who fires people for a living. Garbage men get more respect, but Clooney pulled it off and made this coldhearted manager's character likeable, while in real life I should have loathed such a manager, who fires people for a living. Lots of praise for the direction by Jason Reitman, because he achieved to make a melancholic feel good picture about a subject that is just depressing: firing people. Everything is smooth about this picture. Endearingly, funny smooth. Just a lovely melancholic romantic comedy mixed into a depresing story about firing people.Acting is terrific. Really subtle. The funny and endearing characters got my sympathy, although all of the characters were rather selfish and superficial. Still I really liked and understood them in the end. Great role by Anna Kendrick. This movie might seem like an innocent story about Clooney flirting with stewardesses while travelling the country for his job, but there is a lot more to it. It really gives a warmhearted message about the pros and cons of commitment in a relationship. Touching, funny and true to life portrait of a loner who is in doubt wether he wants to settle down and have a family... Will he or wont he?Gorgeous soundtrack. Mesmirizing photography and very impressive editing.It is truly a splendid gem. I think it is director Reitman's best work.

Each aspect could be defined as special. from performances and fine chemistry between the characters of Vera Farmiga and George Clooney, to the status of simple, convincing and cruel for its deep honesty, story about life. a film about solitude. and need of the other. and prices of succes. and freedom. and love. and about different levels of reality. short, a great movie.

I wasn't expecting Up in the Air's last fifteen minutes to hit me like they did. But writer-director Jason Reitman's film packs a punch. The film follows Ryan Bingham, a corporate "downsizer" who spends the majority of his time traveling from city to city. Contrary to what one might think, Bingham enjoys the constant traveling. His Omaha apartment is bare and the 43 days that he had to spend there the year prior are described as "miserable." One night in Dallas, he meets Alex Goran, a traveling businesswoman, and the two immediately hit it off due to their similar lifestyles. George Clooney is in top form as the cynical Bingham, whose career has insulated him from human contact. His chemistry with Alex is palpable, exemplified by the twinkle in their eyes when they look at each other for the first time to the way that they interact when Bingham gives her a tour of his old high school.Reitman's writing establishes the connection between these characters but Clooney and Vera Farmiga bring it to life. Farmiga herself delivers a performance that rivals Clooney's, magnificently capturing the sensuality and tenacity required to make her character work. And as a recent Cornell grad named Natalie Keener who has big plans for the future of the company that Bingham works for, Anna Kendrick delivers her best work to date. Keener accompanies Bingham on his travels in order to learn about the difficulties that he faces in telling workers that the company that they are working for has decided to unemploy them. In the process, Kendrick captures Keener's naivety remarkably, and we watch her wide-eyed enthusiasm fade away because of the draining task at hand.Reitman succeeds brilliantly at transporting the audience right back to the late-2000s, bringing memories of the economic downturn back to the forefront. In a stroke of genius, Reitman interviewed dozens of recently laid-off workers and included segments of these interviews in the film. While they don't take up too much time, they do touch on the bitter realities of unemployment and the recession. However, the film is primarily a character study focused on Bingham, with existential undertones and moments of genuine hilarity. Because of his relationship with Alex (and to a lesser degree, his relationship with Keener), Bingham begins to let his cynical exterior fade away and falls in love, despite his aversion to marriage and lack of human connection. I suspect that it's this subtle shift in character that Reitman and Clooney so expertly portray that allowed for the last fifteen minutes of the film to land with such a brute emotional impact.Up in the Air proved a more difficult watch than I was expecting. Not because it requires superior intellect to decode its jokes or anything of the like, but because it's deviously complex. The relationships between our three leads are one thing, but Reitman's willingness to comment on mass unemployment and human connection, all with an existential touch, is something else entirely. And all the way up to its unexpectedly moving (and somewhat devastating) conclusion, the film manages to delight and entertain.Rating: 8/10 (Great)

Ask most people what they would do with an unexpected sum of money, and this answer will likely pop up quite a bit: travel the world. Well, Ryan Bingham (George Clooney) gets to do exactly that...for his job.Bingham, while "up in the air" 322 days out of the year, makes a living by firing people at the request of major corporations who would rather not do the dirty deed themselves. He seems to live a blissfully happy life, unburdened by the responsibilities of home & family, and enjoys his routine immensely. Until, that is, he meets someone just like him...Alex Goran (Vera Farmiga). Throw in spunky new sidekick Natalie Keener (Anna Kendrick), who sets out to change the way he does business, and Bingham is forced to re-evaluate all of life's priorities.What really makes this film work is, much like Gran Torino, the unbiased nature of the storytelling (making it the exact opposite of a film like Avatar). Viewers are treated to two completely different sorts of life (both on the road and settling down at home) with all the pros and cons included, and must (through Bingham) come to their own conclusion about which life is more satisfactory.The acting is also terrific, with Clooney doing what he's done for years and finding a good thespian match in Farmiga. However, it truly is young Kendrick who nearly steals the show with her energetic performance. Her character superbly represents the thoughts and feelings going through the heads/hearts of the viewers, questioning Bingham on nearly ever decision he makes. I don't say this too often about young people in the film business, but the sky is the limit for this woman based on this incredible performance.Finally, a little anecdote about why this movie may touch you as it did me:When I was five years old, my father played a little trick on me. He said he had a "magic pill" (a common vitamin, of course!) that would make me stay "five forever", allowing me to go to school and play with my toys ad infinitum. I took the bait hook, line, and sinker, but only after swallowing the pill were the consequences brought to my attention, such as seeing all my little friends grow up, always having to take naps, etc. After a bit of contemplation, I then chose the "antidote" to set things right again.Filmmaker Jason Reitman operates under the same concept with "Up in the Air". We are first given a glance into the seemingly wonderful life of the man on the road, but only upon deeper introspection do we discover the true nature of his often lonely existence. What makes things interesting, of course, is the fact that his decision is much more meaningful than from some five year old.Thus, I strongly recommend this to film fans of any and all kinds for its deep story and incredible acting. If, say, Avatar turned you off by its overly black-and-white themes, this is the antithesis.