One Hour Photo

R 6.8
2002 1 hr 36 min Drama , Thriller

Sy "the photo guy" Parrish has lovingly developed photos for the Yorkin family since their son was a baby. But as the Yorkins' lives become fuller, Sy's only seems lonelier, until he eventually believes he's part of their family. When "Uncle" Sy's picture-perfect fantasy collides with an ugly dose of reality, what happens next "has the spine-tingling elements of the best psychological thrillers!"

  • Cast:
    Robin Williams , Connie Nielsen , Michael Vartan , Gary Cole , Erin Daniels , Clark Gregg , Nick Searcy

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Reviews

WasAnnon
2002/08/21

Slow pace in the most part of the movie.

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Protraph
2002/08/22

Lack of good storyline.

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Sameer Callahan
2002/08/23

It really made me laugh, but for some moments I was tearing up because I could relate so much.

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Matylda Swan
2002/08/24

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

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Filipe Neto
2002/08/25

In this film, Robin Williams gave life to Sy, an employee of a big store that works in the department of revelation of photographs. He is apparently competent and a good worker, but the truth is that he hides a fascination for a family he usually attend, the Yorkin's. When he realizes that the unity and joy of that family is in danger, he decides to act and protect the family.The film is not easy to digest. To begin with, the pace is slow, in order to construct the characters and plot in a more appropriate and perceptible way. Then you have the problem of the main character being dysfunctional and hard to like. Initially, he acts like a maniac, with an obsession with that family, to which he seems to wish to belong. We don't know if it's envy, if it's worship, if it's a mania. Even so, there is something rational about how he behaves, as we have seen in the explanations he gives to the police in the end. Another problem, especially for the more commercial audience, is the intellectual touches the film takes on regularly, in monologues or in discreet detail that many people may find boring or expendable. I confess, I enjoyed it.Little can be said about Williams' performance. He is brilliant. I never thought to see this actor, so attached to comedy and humorous characters, to give life to a character so dense and complex, with touches of villain, stalker and avenger punctuated with the sweetness of a lonely, needy and unhappy man. The remaining cast was also fine, but does not stand out and leaves room for Williams to shine as he deserves.Technically, this is a competent, but discreet film. Good cinematography, good light and color, good camera angles, and a discreet, yet capable, soundtrack. I would highlight the monologues, where the film shows some art.

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The Movie Diorama
2002/08/26

Whoa. I mean, I actually felt uncomfortable watching this. I kept fidgeting! The whole premise and the realism of it just affected me greatly. This isn't just a typical psychological thriller where a crazy guy goes crazy and does crazy things. This is an intelligent study of a character who's loneliness and solitude has driven him to stalking a family. A photograph printer who sees into the lives of those that are within these pictures, he is able to imagine himself being in them. He clearly narrates that photographs are always taken on happy occasions, and never on the events that we wish to forget. I found that to be rather poignant. All he ever desired was to be loved or wanted, and yet he just existed. His days are just routines, his life being lived in the clinical colours of beige. So very monotonous. Another great narration was the etymology of the word "snapshot" which he said was a hunting term. A guy, with a camera, taking snapshots, of children. Powerful, absolutely compelling. Robin Williams yet again proved he was able to steer away from his typecast comedic roles and endeavour in more psychologically challenging performances. He was outstanding. The supporting cast were fine but Williams owned this whole film. Creepy yet with an undertone of melancholia. You can see how the screenplay manages to convince the audience that his mental state is of depression. We don't hate him, we actually sympathise instead. So many terrifying scenes, not in terms of horror but how realistically possible these scenarios are. Your child talking to a stranger and buying them gifts. A stranger waiting outside your house everyday. These stalker-like behaviour traits is ever so apparent in the current world. That's what makes this film so powerful. Realism. I wish we could've explored Sy "the photo guy's" past, I'm sure it would've been fascinating. It may not be a blockbuster thriller, but this little gem is one of Robin Williams' best performances.

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jimbo-53-186511
2002/08/27

Sy Parrish (Robin Williams) works in a photo finishing lab at Savmart. He has been an employee there for 11 years and knows many of his regular customers perhaps better than they know themselves. However, Sy becomes really obsessed with one family (The Yorkins) and has kept several of their photos from over the years at his house. Sy's obsession is fairly harmless at first, but his behaviour becomes more erratic after he is sacked from Savmart and after he discovers that Will Yorkin is having an affair with another woman.One Hour Photo is, much like the development of photographs, a rather slow process. It essentially introduces us to Parrish and slowly starts to establish his psychological mind- set. Parrish is a lonely person, a man who longs for family and friends which I feel is something that he believes many people take for granted (which is what part of the film is about). Parrish's job is perhaps the only thing that's keeping him going as I think that getting brief insights into people's lives is a way of taking his mind off his own lonely existence. This becomes evident when Parrish gets sacked which is ultimately what brings his darker side to the surface.Robin Williams is better known for his comedy roles, but it's worth noting that he is also very good in dramatic roles - he plays a creepy character in Christopher Nolan's Insomnia and is excellent in both films. Williams gives an edginess to his character that makes him fascinating to watch even when the pace lags a bit in the first half. This isn't the first time he's taken on a complex character and his versatility as an actor is something that he'll long be remembered for. The supporting cast were all OK, but it's definitely Robin Williams who makes this memorable.I'm sure that many people have come to their own conclusions on what was actually going on in this film; was it all fantasy? Was some of it real and some of it fantasy? I think it's safe to assume that at least some of it must have been in Parrish's head as it's revealed on at least one occasion that what we're seeing isn't actually real.No matter how you look at this film there's no denying that it is an interesting and somewhat disturbing look on the way loneliness can affect individuals in extreme cases. The picture has a simmering slow-burning tension to it and when Parrish catches up with the adulterous couple towards the end it's actually quite a chilling sight. Fans of psychological thrillers or character studies will almost certainly enjoy this film.

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Poptart_Psycho
2002/08/28

I didn't know what to expect from this movie hen I first heard, I wasn't to sure if it was going to be a jump scare thriller with gore, which im a fan off but its nice to see something different that will keep on edge without over the top gore and scares.Mark Romenek deserves more credit he pulled off a great thriller, especially casting Robin Williams who is know for his comedic roles as a deranged stalker.One Hour Photo focuses on Sy, a lonely man who has no family or friends but works in a photo lab department of a suburban American grocery store. Sy knows all of his regular customers and memorises them by what photos they regularly come to get printed, But Sy has an unhealthy obsession with the Yorkin family.The Yorkin family is a happy family of three, mother Nina her partner Will and their young son Jakob. Mother and son have been using that lab for 7 years getting their prints to the point Jakob calls Sy 'Sy The Photo Guy' unknown to them over the years Sy has been printing off separate copies of the photos to put on his wall.Mid way through the movie we see the descent of Sy, from the helpful man to stalker, always seems to be there, reading the same books and has a fascination of being known as Uncle Sy and work his way in the family unit.After an incident at work Sy is fired, and realising he will never be in the family unit he starts to up the ante in being top stalker... After discovering Will's infidelities he goes all out in letting everyone know...If your after a thriller horror with loads of jump scares and gore this isn't for you, but its more for people who appreciate the classic thriller using great cinematography and intense atmosphere

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