The Animatrix
Straight from the creators of the groundbreaking Matrix trilogy, this collection of short animated films from the world's leading anime directors fuses computer graphics and Japanese anime to provide the background of the Matrix universe and the conflict between man and machines. The shorts include Final Flight of the Osiris, The Second Renaissance, Kid's Story, Program, World Record, Beyond, A Detective Story and Matriculated.
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- Cast:
- Keanu Reeves , Carrie-Anne Moss , Clayton Watson , Pamela Adlon , Melinda Clarke , John DiMaggio , Kevin Michael Richardson
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what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
This is a dark and sometimes deeply uncomfortable drama
I gave this a 7/10, but there is no reason it shouldn't have been 10/10. I'm a Matrix fax, but the flow of the Animatrix is all outta wack. They startoff with a scene where the people are in the Matrix/where the Matrix already exists...I don't believe that should have been the first animated movie/scene. The whole story would have been better if they started off with just humans...building the AI, and slowly, and gradually the AI took over. That's my only real gripe...lack of even flow of the storyline. But, nonetheless, it was good; must see.There are multiple scenes that are just stunning...especially the graphics.
If you like the original series, especially the story and premise there is a good chance you will like this one even more.In 'second renaissance', it explains the war between the humans and people. This short is somehow very violent, but beneath all the violence is hidden a message.In 'world record' things become more philosophical. This short ask a question whatever would happen if somebody would break his own body/mental limits. In it we follow the runner, whom runs so fast the he breaks his own 'chains' and wakes up on the other side in one of those "beds", the same one Neo wakes up in the movie. Very good short, with visuals that go well to the short story feel. My favorite.In 'beyond' we follow some young children's who find some old hut with BUGS in the systems. Not that crawling little creatures, but mechanical/system bugs, like time and gravity getting reversed. Very good short. Probably my second favorite.The others, i remember 'detective story and 'kid's story' which are also good.As I said this is simply a must watch for any fan of the original series.
Animatrix is a collection of nine animated shorts related to different aspects of Matrix. The stories are directly or indirectly related to what happens in the movie, filling-in some unexplained facts, and exploring the matrix from an outsider-insider point of view."Final Flight of the Osiris" (Andy Jones) is a literal transcription of an episode in the movie. The animation itself is amazing, and the opening scene extremely sexy, but the virtuosity of the video-game animation is not paired with a creative approach. I suspect, it was included in the compilation to catch the eye of those video-gamers who might end buying the Matrix's video-game."Program" (Yoshiaki Kawajiri) is an Akira-style short animation piece. The use of basic colors (white, red, black and gray, traditional Japanese elements (castles, samurais, swords, bamboo, silhouettes), and an edgy Manga action creates a visually astonishing piece of animation. It re-creates Cypher's betrayal of his crew of renegades, but giving it a medieval-Japan-Samurai twist."World Record" (Takeshi Koike) is an original piece that uses the matrix concept to expand it on its own, unconnected to any direct episode in the movie. It is about the awakening to the reality of the matrix by the main character, a famous Afro-American runner. The piece is shot in a mix of grays, blacks, beige and yellow colors, and uses shading brilliantly. The backgrounds are very artsy, according to Koike they were inspired by Gaudi's architecture. I found the piece, despite being made by a Japanese, very American in its vibe and energy, in the drawing of the characters and their personalities; still, there is a powerful unique narrative that is very Japanese, that tries to tell a story without forgetting technical innovation. Terrific is the way the movement of the athlete is captured, slowed and micro-analyzed, and also the fact that the Afro-Americans are not drawn in brown colors but in different shades of gray. Supercool."The Second Renaissance 1 and 2" (Mahiro Maeda) fill in the missing story of what happened to the Human Race until they became dominated by the machines. In another words, it offers a mythology of the Matrix that was only hinted in the movie. It uses colorful Mandalas (with a mix of Buddhist and Brahman elements)attached to the female goddess-narrator, but has subdued colors when the documentary-like piece fill the viewer with the details of the war between humans and machines. It has a terrific story-telling, and it is very universal in a way. It uses elements of all religions, shows humans from different religions and cultures, depicts the violent acts of the humans using embedded references to tragic events happened in recent wars (WWII, Vietnam, Irak) and offers an unadorned, still entertaining, view of the sins of the modern human race."Beyond" (Koji Morimoto) is a beautiful naturalistic short, Ghibli-Studio-like in the use of colors, shadows and lighting, the magic realism of of daily life, and the virtuosity of the drawing. The episode has a connection to the Matrix, the cat appearing from another dimension in the movie, is the one here. But that is is. Morimoto creates for us an error in the matrix program affecting a house visited for the characters in this movie. The house is sort of enchanted, and visitors can levitate. It replies with verisimilitude to the question, how would humans notice a loop in the program? how would affect them? Simply wonderful."Kid's Story" (Shinichiro Watanabe) tells about the awakening to the reality of an American teen student who has been contacted by Neo. It has a lucid dream approach and has some lyric moments. However, this is mostly an escape story, full of action and angst. The animation style is a bit weird, as it the movie was constantly blur. This is intentional, and it is used to tell the viewer that our character is in a reality that is not dream, still not completely awake. The piece is extremely dynamic, with a great music, and some poetic moments, but not as engaging as the others."A Detective Story" (Shinichiro Watanabe) is a masterpiece of animation, drawn in a grainy BW that mimics ink-drawing, but adding some cut-out colors, typical of some American comics for adults. It also replicates the mood and style of the detective B-movies of the 50s, but mixed with a retro-futuristic Chinatown approach the matrix (very Dark-City in a way). It is super-stylish and engaging, linked to the movie by the search of Trinity. The music is very jazzy, perfect for a 1950s sort of film. I would have liked to be longer and a bit more daring, so much I enjoyed it!"Matriculated" (Peter Chung) is a very psychedelic, hallucinogenic, colorful and philosophical piece of animation, and the most daring, from a narrative point of view, of the lot. It does reverse the matrix principles of the machines using a program mimicking human reality and subconscious world to put them at their service. In this short, the renegades reprogram the captured machines and connect them to their consciousness so it tricks the machine thinking that is a program and that they are also machines. It explores the concept of universal consciousness, and how machines could be fooled. It is a very Asimov approach to the story.Animatrix is funky, artistic, and very entertaining. Not for small kids, though. The main problem with the compilation is that the quality of the pieces varies enormously, and that you need to watch it after the Matrix (the movie), and understand the intricacies of the matrix itself to comprehend the stories in the shorts. It is not rocket-science, but if you haven't done that, the movie won't work for you. Animatrix is a companion to the film, therefore, watching it on its own could be disappointing, unless you are interested in animation per se.
With the exception of the third film, I love the MATRIX trilogy so when this anthology was released I was excited at being able to delve deeper into the MATRIX universe. The collection contains nine shorts from acclaimed anime directors and animators. Some stories expand on existing plot points from the movie while others are merely a chance for a director to give us their own glimpse into the world of the MATRIX. Some of the shorts are downright amazing, both in content and visual quality, while others fail to really hold my attention. Still, there are no truly weak stories in this collection and each addition has something to admire about it.Some of the highlights of this anthology are "The Second Renaissance, Parts I and II", "Beyond", and "The Final Flight of the Osiris". Director Mahiro Maeda has created the best installments of the series with "The Second Renaissance", a glimpse into the Zion historical archives to view how the machines became sentient and their war with the humans. It fills in all the information gaps from before the first MATRIX film and the animation's realism gives the brutal violence an extra kick when you watch it. "Beyond", from director Koji Morimoto, was one of the more fun stories, with a young girl in search of her cat being led to a building where the Matrix has glitched and reality is warping. "The Final Flight of the Osiris" from Andy Jones is another bridging story, with the crew of the hovercraft Osiris discovering the sentinels in the process of digging to Zion and setting off the events of the MATRIX sequels. Jones, who was the animation director on FINAL FANTASY: THE SPIRITS WITHIN (2001) brings the same lifelike CG animation to the ANIMATRIX and I admit it looked amazing.I suppose I should also give an honorable mention to Peter Chung's "Matriculated", in which a group of humans have devised a process to give the machines a choice in joining their resistance, because of it's trippy, surely LSD-inspired animation style. For the majority of the piece, I had no clue what was transpiring but I just loved the tripped out visuals. The remaining films, while I was not as impressed, were still beautiful pieces. The collection gives you a wide variety of animation styles, ranging from the beautifully contrasted ("Program") to the bizarrely fluid ("World Record"), from multiple directors. If you've got the DVD, I also recommend the special features. Almost as entertaining as the films were the chance to listen to each director and learn what inspired their contributions and how their style is influenced in life.