I love this movie so much

A Masterpiece!

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

The acting in this movie is really good.

Watch this in the victims perspective, not an opinionated criticism perspective.

The Strangers: Prey at Night is a color by numbers Slasher: minimal setup, fast paced Act II, Act III is executed cleanly. It is the horror film equivalent of a new look LA Rams screen pass, Goff to Gurley II, good for 9 yards. Early in the film there's an effective long shot panning slowly into a conversation in a gas station parking lot. Christina Hendricks delivers solid character work. At some point soon, we should begin appreciating the weird, post-Mad Men roles she's taken, and enhanced. There are some new takes on time honored/trodden Slasher tropes, making them just fresh enough to avoid the full ennui of the connoisseur.

To be honest: I kind of liked it. Really. I know that it's not Oscar-winning material, it surely isn't the best horror-flick that I've ever seen, but all considered it's actually not bad at all. It has a very creepy atmosphere, the pace is exactly right, the anonymous killers are menacing and sinister and there is a fair amount of violence and gore. The members of the family (both parents and the son and daughter) all get some personal depth, especially the daughter, so you really care what happens with them. And the script gives us a whole series of (obligatory) almost-endings until the final ending, but these are nicely done. The whole thing kept me up the edge of my chair until the end and the very last scene was surprisingly poignant: after all these ordeals the girl will understandably have a trauma for a big part of her life and that gave her reaction to the knock on the door a nice authentic touch, in spite of the obvious intention of the makers to suggest that maybe the horror starts again. The acting of all four main characters is fine, with special mention of young Bailee Madison en Lewis Pullman, who do a great job. My only reservation lies in the very core of this kind of harassment-movies: the assailants stay anonymous and their motives completely hidden. In spite of the fact that in the end you are very well entertained, it does leave you with a gnawing feeling of disappointment and resentment. Do movie-makers really want their audience to feel like that?! I always wonder if writers in such cases have serious artistic reasons to choose for open endings like this, or that they are lazy and simply don't care what the public feels out-of sheer arrogance. Well, apart from that, I still rank it 8 out of 10.

This movie has so many non sense scene and very cliche