Icarus
While investigating the furtive world of illegal doping in sports, director Bryan Fogel connects with renegade Russian scientist Dr. Grigory Rodchenkov—a pillar of his country’s “anti-doping” program. Over dozens of Skype calls, urine samples, and badly administered hormone injections, Fogel and Rodchenkov grow closer despite shocking allegations that place Rodchenkov at the center of Russia’s state-sponsored Olympic doping program.
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- Cast:
- Bryan Fogel , Vitaliy Mutko , Dan Cogan , Jacques Rogge
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Reviews
Very very predictable, including the post credit scene !!!
This movie is the proof that the world is becoming a sick and dumb place
Exactly the movie you think it is, but not the movie you want it to be.
It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.
The entire film is gripping, giving the audience no-holds-barred access to the biggest sporting controversy of the century, as well as pulling back the newly re-erected iron curtain ever so slightly to see the inner workings of the Kremlin.Documentary exposes an uncomfortable truth that should call into question the whole purpose of watching the games anymore, when this awful disregard for ethics can find such an easy way in and become endemic to the whole thing.
While watching the movie, it's very unclear what Bryan Fogel is trying to accomplish. Why does he decide to take PEDs? What's the ultimate goal? Where is the movie actually headed? Why would Grigory want to have anything to do with Fogel, let alone coach him and end up trusting him with his safety and security? But if you can put all that aside, the information is stunning and will change the way you look at sports. Well worth a watch!
The movie started out like any other documentary, a cyclist ( Bryan Fogel) wanting to tell a story of how someone can cheat the system. So he hires the best of the best (Dr. Grigory Rodchenkov) , the director of Russia's national anti-doping laboratory. This movie goes ways beyond sports or or sport doping. It is a gripping moment by moment of events leading up to Russia being banned from the 2018 Olympics. It should be an eye opener for anyone who minimizes hoe evil Putin is. Winner of the 2018 Academy Award for best documentary
Film-maker and amateur cyclist Bryan Fogel had a not-very-interesting idea for a movie. He would show how doping could improve a cyclist's performance - and how anti-doping labs were hopeless at catching the cheats - by using himself as a subject. The first part of 'Icarus' isn't so good, to be honest - Fogel is neither particularly charming nor informative as a character is his own film, and the narrative is spoiled when, in spite of taking all the drugs, he doesn't manage to bring home the bacon when racing. But for the second part of his mission, he had sought the help of the retired head of the U.S. anti-doping laboratories, who had some ideas about how athletes has dodged his testing regimen. When he got cold feet about being involved in the film, he suggested an alternative collaborator: Grigory Rodchenkov, the current head of the offical Russian laboratory.From the start, Rodchenkov seems to have a strange attitude to the project. You might thing he would be reluctant to show how his day-job is useless; instead, he approaches the project with a strange mixture of enthusiasm and business-as-usual. And then, as the film was being made, a scandal broke over his head. It turned out that, as well as running the lab, he was routinely helping Russian athletes to cheat his own test. The documentary project, as it happened, perfectly mirrored his normal working life. Quite why he was willing to participate, and draw attention to himself, is unclear; perhaps he just considered himself invulnerable. After all, he was usuallly not freelancing, but working at the direction of senior figures in the Russian state. Which made the scandal uniquely dangerous for him.The ending: Rodchenkov flees to the United States. He aids the authorities, but is separated from his family, and has perhaps good reason to fear for his own life. Russia gets banned from the Olympics, but the decision is at least partially rescinded; power and money trump justice. The film has a decided anti-Russian slant, and with good reason, but my fear is that the athletes from most other countries are little better (after all, Fogel was orginally inspired by the Lance Armstrong story), even if there's less in the way of official backing. In the end, the bizarre and flamboyant character of Rodchenkov makes the film, and a more interesting film surely than the one Fogel was expecting to make. But you couldn't call it a happy story.