Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

It's an amazing and heartbreaking story.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Having just sat through this it is hard to put into words exactly what the viewing experience was like.The plot is pretty much the same as every one of these type of films - Some ancient artifact creates or resurrects a monster, people run around a bit and the monster is killed.What saves this film from rating a 1 is that it is hilarious (but not at the points where it is supposed to be). There seems to be more pointless and stupid chases in this film than any I've seen for a while.The monster looks pretty fake but is not so bad that it ruins the film. The music is totally awful and is almost as bad as the dodgy disco music from Friday the 13th Part 3.The acting and wardrobe are slightly on the dodgy side but it just adds to the charm of this gem of a film.One to see and then try to forget.

This was never going to have been a masterpiece but it need never have been as bad as it is. The combination of sloppy direction, amateur editing, and some unbelievably bad actors leave the film floundering. There are exceptions, Joan Severance and Peter Riegert are professsional and competent, but the chaos around them is overwhelming and they would probably rather that this monstrosity was removed from there filmographies! The plot though preposterous could have formed the basis of decent movie but one gets the impression that not enough time was put into tightening up the script so that the dialogue regularly lurches into the farcical. If you are fans of either Joan Severance or Peter Riegert, both fine film actors, then perhaps you should pass this one by and look to their other work!

A modest monster movie made with a very limited budget on a not so bad idea (that unfortunately gets confused in the course of the movie): the Vikings came to America about 900 years before Columbus to leave a runestone that imprison Fenris, a wolf-god of the ancient time that is revived and let loose in an American modern town, creating havoc and massacre. Well, before the end the menace will be overcome, of course, but I don't tell you how. The only good reason to watch this movie was the presence of the gorgeous Joan Severance, but, alas, this is one of the movies in which she keeps her clothes on (really a bad idea). FX are really bad, but if you like a bad modern B-movie you may still enjoy it

This one is a perfect example of 80's cinema squirming its way into 90's cinema. The story involves an architect whose unrequited love signs him a pact with the Norse demon Fenrir, who takes control of his body. Werewolfish Fenrir can only be destroyed by a Christopher Lambert-esque clock maker and a well-read teenage boy. David Newman's (Heathers, Frankenweenie) melodramatic score makes this movie stand up a notch above the rest. This one is a winner for fans of movies like Warlock and Bad Moon.