Dim Sum Funeral
An Irish funeral has a wake. A Jewish funeral has sitting shiva. A traditional Chinese funeral is something else entirely. Thats what the estranged siblings of the Chinese-American Xiao family must undergo upon news of their mothers death. The one brother and three sisters dont get along, however they share one thing: hatred for their domineering and manipulative mother, the Dragon Lady."
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- Cast:
- Kelly Hu , Steph Song , Talia Shire , Julia Nickson , Lisa Lu , Bai Ling , Russell Wong
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Reviews
The film may be flawed, but its message is not.
Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
First of all, let me begin by saying that I am appalled by critic reviews of this movie. Describing the film as 'predictable' and involving a 'typical Chinese-American family' is an insult to the cast and crew. There is nothing typical about this Chinese-American family. Seeing as how many film critics are introverted white Americans, it is easy for them to forget that these people have very different values than other Americans. To be able to critique this movie fairly, you must know a good deal about Asian culture on the whole. The 'predictable' twists that occur may be typical of your average American family--but in Asian families, it is more of a rarity.Needless to say, I was quite surprised at some of the revelations the children had about their deceased mother, especially considering the fact she was born and raised in China. These revelations give a more human feel to the rigid culture of the Chinese, and give the movie substance.Asian intolerance of infidelity, interracial marriage, and homosexuality is also explored in depth. This part of the movie personifies the characters before they even speak more than a few lines, and helps humanize the 'Dragon Lady' over the course of the movie. There is much more that I could say about this movie, but I believe I've said enough to offer a conclusion: As Americans, we don't generally put much thought into ideas like homosexuality, interracial marriage, and infidelity. Its all around us--and we become numb to it. But these ideas can become catalysts for mayhem in Asian families, where such ideas are shunned or outright forbidden. Understanding this fact will help you understand--and enjoy--the movie.
I completely agree with the other reviews panning this movie. It's too boring to be a pop movie and too stupid to be a serious one. You may hang in there despite the fact that the characters are so unlikeable (particularly the dead woman) and insipid, you may multi-task through the cringe-worthy dialogue, press pass the predictable sequence of events (though there's no one to root for, no one to motivate any sense of engagement), all the while thinking, there must be one kernel of novel insight or characterization, something that would justify making a whole movie. Particularly as a Chinese - American, you hope for this kind of thing to succeed and to derive something interesting and relevant to your own life and experience. But somehow it manages to get less interesting, to get bafflingly superficial as though the divine muses at Disney had intervened to demand a more pat and sociable plot. At the start, the problems at least have the potential to be interesting though very predictable and thoroughly explored in other better films. I was vaguely intrigued by the thorough unlikeability of the mother, all the other films had provided the parent's perspective (for example, why destroying a daughter's relationship with the love of her life because he's black may actually be understandable or have some redeeming rationale; and showing acts of love by the parent for the child that reveals the parent's humanity, their own resistance to the shackles of culture) - was this a new take? alas, no. The siblings begin to cooperate in the "last wishes" of their mother out of what is clearly guilt, and from no where that guilt is transformed into honest grief, respect and love, like blood into wine. There's very little exploration of the reasons for the hatred by the children. But presumably, like in real life, it was failure to do the things that actually inspire honest grief, respect and love - like being there and helping the eldest daughter through the loss of her son (my mom would simply have come to me and camped out indefinitely), sending a present for her black grandson's birthday or attending her granddaughter's recital. It's not clear to me why death would absolve a mother from her duty in such acts of forgiveness and love, in my experience, death is when a miserable bastard really pays the piper. This felt uncomfortably like the work of someone who couldn't stand their mother but felt really guilty about it.
This movie tries desperately to be in so many other movies footsteps that it just winds up tripping all over itself. This movie is essentially The Joy Luck Club's, Ugly Twin Sister. Although the writing is bad, it's not completely a mess. I do like that it tries to show that Chinese Americans are progressive in American society, but it never departs from some serious jingoistic dialog that seems borrowed from a bag of fortune cookies. The Family is actually a bore, but the writer thinks that by making one a lesbian, and another marry a Black Man would make them more interesting. Also, having all the non-family members play completely humble, somewhat quirky, incredibly understanding, and knowledgeable to the family's "attitude" is just unbelievable. The Directing is somewhat amateurish but better than some Chinese Soap Serials. The actors are all so stiff in their performances - I've seen better performances with claymation. On the bright side, Russle Wong's acting has improved just enough to be the best performance in the whole movie - that's bad.
i came into this movie not really expecting much probably because I've seen a lot of Asian American films that ended up disappointing. that wasn't to be the case this time. dim sum funeral has a lot of stuff going for it. i found the family interactions pretty believable and universal (im Chinese American btw), the story had many plot lines and while yes, it could get somewhat episodic, there are actually many Hollywood movies that fall into this structure too and that's the nature of life, isn't it? throughout the movie, i was pretty entertained and didn't look at the time and felt myself caring for the characters which is the greatest compliment one can pay a story. i also absolutely loved the music. the simple piano music really reminded me of the east Asian aesthetic in films and the film became "more Asian" as a result. also, it gave the movie a ethereal and fleeting quality perfect for a movie about death and life. and i don't know how they got her but talia shire is wonderful in the film. it's really great to see her back and it was fun looking to see if the actors would be intimidated by her stature which they weren't. really, all the main characters and even bai ling which i normally cant stand do quite admirably.all in all, dim sum funeral was a very nice, elegant and heartfelt surprise and i recommend it. 8 out of 10.