To me, this movie is perfection.

Absolutely the worst movie.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Exactly the movie you think it is, but not the movie you want it to be.

Unrealistic premise: New York rent controlled building occupied by sole individual who refuses to leave until he finishes his book. Writer meets Squatter, also a writer who is trying to finish his book. Statistically, I would imagine that even with 5 billion people on this planet this premise has never actually occurred in nature.Silly relationship: The white, Jewish writer suffers an unlimited amount of verbal, racial and physical abuse at the hands of the black, militant, racist squatter, yet continues to attempt friendship.This movie is actually such a silly contrivance, I am not sure what the point is supposed to be. That writers, of any race, are mentally unstable? That racism is something which must be endured by white, Jewish people who don't appear to be racists themselves? That hatred exists? That, if one person is hateful enough to another person, the other person will think they need to kill them? Which then justifies the hatred of the first person, who, in their last moments, then kills the person whom they stated many times needed to be killed for being white?

30 years ago (wow!) back in High School, I was a big fan of Bernard Malamud and read most of his works in Modern American Literature Class. But I didn't read The Tenants. So I looked forward to seeing The Tenants especially since my Cuzzin, Snoop Dogg is in it.The Tenants is an excellent though simple story transformed into a very good screenplay. The problem, however, is the director. This movie feels like it was directed by a film student. It's directed in what I would call a "matter of fact" style which fails to develop a relationship between the characters. In fact, the characters seem just to be reciting lines. Despite that, the screenplay carries this movie well and it was certainly a movie I wanted to go back to and watch to the end on DVD.

THE TENANTS began as a 1971 short novel by the now deceased Bernard Malamud - writer/philosopher - examining the conflicts between Jews and African Americans in the incendiary atmosphere of Brooklyn at the time the book was written. As a novel the story was gut wrenchingly real: as transcribed into a screenplay by novices David Diamond and Danny Green (who also directs) it is more of a cerebral dissertation that gradually erupts into action in the final moments.Harry Lesser (Dylan McDermott) is a Jewish novelist with one book under his belt but currently attempting to finish his 'newest' book ten years into the writing. Convinced that he must complete the novel in the same environment where it was started. he is the sole tenant in a condemned Brooklyn tenement owned by Levinspiel (Seymour Cassel) who constantly tries to 'buy out' Harry's lease so that the filthy dilapidated building can be demolished. Into this atmosphere enters another Black militant quasi-anti-Semitic writer Willie Spearmint (Snoop Dogg) whom Harry befriends, hides, and offers help to the nascent novelist's attempt to write about the death of all white people. Harry's attempts to help Willie lead to conflict, not the least of which is Harry's meeting Willie's girlfriend, the white Jewish Irene Bell (Rose Byrne) at a less than friendly gathering of Willie's militant black brothers and sisters. Willie and Irene are on the skids and Harry gradually falls in love with Irene and they plan to leave New York as soon as Harry finishes his novel. When Willie hears of the assignation and is further critiqued by Harry, Willie explodes and begins the downward descent of not only a delicate friendship but also a competition between writers. The ending 'reveals the slippery nature of the human condition, and the human capacity for violence and undoing'.The actors do their best with a script that is a bit awkward but despite scripted lines that border on preaching they create believable characters. The cinematography enhances the story, keeping the mood dank and dense and primarily confined to the condemned building. The musical score appropriately makes use of the solo jazz trumpet and blues piano to underline the tension and isolation of each of these groundless characters. Though it takes some patience to make it through the cerebral ramblings, the film in the end is worth watching. At least it attempts to recreate Malamud's bizarre look at life in the big city. Grady Harp

When I first heard of this movie, and of course the fact that Snoop Dogg had a role in it, I didn't think much of it. But it made me curious; Snoop and a serious role...I hope it wasn't the intention to make us curious because Snoop Dogg was in it, I hope it was just a try for a serious play. And serious it was.Without spoiling a thing; I had a hard time imagining Snoop as the 'novellist', Willie. I know Snoop as Snoop Dogg, the famous and maybe a bit extraordinary, but very genius, rapper/MC.Leaving Snoop Doggs intentions in the middle; the story was crap. I could not relate to it, I could not identify with it and it made Afro-American people look like a bunch of racists, which was NOT a good thing. I know where the story was about, I know the intentions, but to me, these intentions did not come out right... Only the end was really worth watching!I think all of you should see it, not because of it's brilliance, but because of it's rareness. It's not your ordinary Drama, it feels real.