I like the storyline of this show,it attract me so much

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

It's another one of those collections of weirdos movies which seem to be the modus operandi of independent filmmakers. The best cameo belongs to John Cusack who plays Casper, the friendly pirate. He believes that there should be "free food for everyone." Yeah man, like, yeah. John Doe, everyman in name and features, takes an annoying dead guy's ashes to the homespun casino where everybody knew his name and they were glad he spent his money. It takes him the better part of the film to find it. He asks many, including Timothy Leary, who couldn't help him either, and finally dumps his remains in the desert. If, like me, you were perusing the oeuvre of Jennifer Balgobin, you may be interested to know that after an amusingly spastic exotic dance, she reveals her right nipple. Nice, but not worth having to listen to Abbe Wool's hippie logic or Adam Horowitz's every word. Best enjoyed by those who lived, and liked, the 60's or those who think that Easy Rider is a classic.

As road trip movies go, it's subtle and (perhaps too) familiar. Joe (no last name) decides to honor a stranger's last request, and deliver his ashes to an oasis in Nevada. Along the way he discovers the citizens of Today's America: the rebels whose time has passed, the franchise minimum-wagers, the common people in their varying degrees of lunacy... As he drives farther and farther from his old life, the purpose of his trip morphs into a larger exploration of the journey that everyone makes, the journey of life... John Doe's "Joe" pulls off the everyman bit, the straight man for everyone else to prosletyze to and joke around. His only job in the movie seems to be the audience's advocate, reflecting their reactions to the strangeness in the desert. Adam Horowitz's "Sam" is more than the lively sidekick; he represents the end result of being raised in modern times. A pathological liar, a pyro and a lemming, he's the motherless child that considers every location of the Motel 9 franchise his home. Overall, the movie feels as staged as an above-average Afterschool Special. The cameos feel like stunts (Mike Tyson's appearance in CROCODILE DUNDEE IN LA was more believable) and the intentions are so clear from the beginning that the trip seems redundant. And the point? It would seem to be as Sir Edmund Hilary reasoned for climbing Everest; "because it's there."As a road trip, it's more a pleasant afternoon than the journey of a million miles. 5/10 stars

Doe meets a man at work who comes off as very annoying and empty headed. The type of person most people would want to run from. Yet Doe befriends him immediately. Then, when this new friend dies suddenly, he decides to honor him by burying his ashes in a mythical city called El Dorado, Nevada. Thus begins a very feeble attempt at a road movie. It was made by those who never did it themselves, but still think it would be a cool idea. It's the same people who like the idea of 'rebelling' yet have no idea what to rebel against. It has all the bad road movie cliches with none of the substance. It's too contained with none of the ruggedness. The quirky story threads and 'hype' philosophy are simply attempts to cover up it's own hollowness. There is some introspection involving looking at the 60's through 80's eyes. It shows how Generation X loves the allure of the 60's and wants to emulate it, yet has no real understanding of what it was about. It also shows how the aging boomer still longs for the open road even though he has now become apart of that dreaded responsible class that still needs to hold down a job. Yet all this is only done in minute spurts with the rest of it drowned out by a trendy existentialism that just doesn't work. John Doe, the lead actor, aptly fits his name. He is very boring and transparent. The 'celebrity' appearances are nothing more than tired walk ons by fading 60's icons. Horowitz is the only one that manages to give a interesting performance. His youthful energy seems sincere and lively. It's all very flatly shot and cheap looking. It looks like it should have gone straight to video. It also has some real stilted moments and bad acting too. This thing has the audacity to bill itself as THE EASY RIDER of the 90's even though it doesn't come close. It is pure imitation. Watching the real thing would be better or even watching some of the lesser known road pictures of that era.

Although I first went to see this movie because it had Ad-Rock from the Beastie Boys in it. I soon realized it was actually a credible movie. John Doe does great job convincing the audience that he is sigle minded with an altruistic purpose. And I loved the Symbanise Liberation Army scenes with the special guest appearence. I put this flick in the indie-noir catagory just for s***s and giggles. We get a clear glimpse of lower/middle class America and see where we need to assert pressure for change. Lots of changes if I directed