I like the storyline of this show,it attract me so much

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

The film may be flawed, but its message is not.

A satire of American news reporting, Covert Agencies, and political system. The theft of two suitcase sized nuclear weapons, and their sale to a terrorist group, leads TV Newsman Patrick Hale on an international chase to track them down, and uncover the twisting maze of apparent involvement of US Government agencies. Wrong Is Right is a Comedy, Drama, Thriller but it also has a black kind of humor that is totally the turn it off point for it. Just the first few seconds of the movie is what took me off the experience and not even Sean Connery's terrific talent can save a film that was bad from the start. Overall i'm sorry but this gets a big F from me..

This is an unusual film in that the satire is razor sharp and doesn't age a bit, but the film doesn't work at all. There are a few decent gags, but the film is ragged and not terribly funny. The movie doesn't know whether its wants to be a comedy, a serious drama, a caper, or an action flick. And it doesn't do any of them that well, which is a shame because the film had a lot of potential. Instead Connery pretty much plays the lead role as a kind of pseudo-James Bond, or Mike Wallace on steroids. I'm not sure if the tone of the film was an artistic decision or a corporate one. You'd think they'd go the Kubrick route not The Pink Panther direction. But maybe the filmmakers were trying to avoid precisely that comparison. I'd love to ask Richard Brooks just that. An interesting and long-forgotten novelty, it's watchable solely for curiosity's sake. But heck, even a mediocre Connery movie is worth your time...except Highlander II.

Some films are truly ahead of their time. The 1982 satire Wrong Is Right is such a film. Though deemed unbelievable when first released nearly three decades ago its satire of TV news being driven more by entertainment then facts, Islamic terrorists seeks nuclear weapons and international intrigue makes it even more relevant today. In short it's a satire for today from yesterday.The film features a fine cast. Sean Connery stars as Patrick Hale, a globe trotting TV reporter who uncovers the story of a life time. Connery shows off a considerable talent for doing black comedy throughout and comes across well as a cynical reporter who ends up virtually being the voice of reason towards the films end. George Grizzard (as the President), Rosalind Cash (as the Vice-Pesident), Robert Webber (as the CIA director) and Dean Stockwell (as the President's chief of staff) come across well as various government officials caught up in the crisis while in the midst of a presidential election. There's also Robert Conrad as the trigger happy General Wombat in charge of the counter terrorism task force in a performance perhaps a bit too reminiscent of George C. Scott in Doctor Strangelove. Facing off against them are the terrorists lead by Rafeeq (Henry Silva) and Leslie Nielsen as a proto-George W. Bush presidential candidate twenty years before the fact. That's not forgetting either Kathrine Ross as Sally Black or Hardy Kruger as a European arms dealer as both have small but important roles in the films. All together they make for a fine cast for this satire.It's the satire and script that really makes this film stand out. Inspired by or loosely based on. depending on your choice of phrase, Charles McCarry's 1979 novel The Better Angels which like the film was deemed unbelievable at the time it originally came out. But the film would prove to be eerily prophetic of the world more then two decades later. Terrorists blow up airplanes without warning, a wealthy Middle-Eastern nation seeks to buy nuclear weapons for terrorists and suicide bombers blow themselves up with no warning may have been unbelievable thirty years ago but are practically ripped from the headlines of today. Plus things such as Leslie Nielsen's presidential candidate Mallory who, as not just played by Nielsen but written as well, could easily be mistaken for a satire of George W. Bush if the film hadn't been made in the 1980's but sometime in the last ten years. Yet all the while the film plays not so much as a satire but as a thriller as Hale explores the worlds of his own TV companies bias, government conspiracies, election year politics and Islamic terrorism. But the film works because of its heavy topics rather then despite them because it exposes the sheer absurdities that lies at the heart of it all. While the technology and fashions are those of the early 1980's the film could easily have been released, as the opening of the film states, in the time between now and later.Armed with a fine cast and an excellent satire/thriller script, Wrong Is Right stands out nearly three decades after its original release. With its plot of TV news being driven more by entertainment then facts, Islamic terrorists seeks nuclear weapons and international intrigue it's hard to believe that a film from thirty years ago could speak so much more about the decades after it was originally released. But this film does and it would appear to have much more effect now then it has ever had. Wrong Is Right is a satire for today from nearly three decades.

I first saw this film during it's initial run and fell in love with it immediately. I was falling out of my seat laughing. The writing was sharp, the pace brisk and the story dead-on. Sean Connery was great, but this is probably the best role and performance of Robert Conrad's life. And I was knocked about by G.D.Spradlin's quick reference to his scene in my all time favorite movie. I have since been frustrated by how difficult it is to find the film. I have yet to find it in a video store and it shows up very rarely on TV. If the chance comes up, do not let this film get passed you. It is hilarious in that I-don't-care-what-anyone-thinks way that has become lost in today's film comedies.