With Six You Get Eggroll
Abby McClure, a widow with three sons, and Jake Iverson, a widower with a teenage daughter, begin dating and eventually decide to get married. But they're not prepared for the hostile reactions from their children, who are not very excited about the new union between the two families.
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- Cast:
- Doris Day , Brian Keith , Pat Carroll , Barbara Hershey , George Carlin , Alice Ghostley , John Findlater
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Reviews
Sorry, this movie sucks
So much average
A lot more amusing than I thought it would be.
Blistering performances.
This movie is a delight for a whole bunch of reasons. Granted it follows a screwball comedy plot which was getting old by 1968, but Doris Day is excellent in this one. Brian Keith, taking some vacation from Mr. French on Family Affair is in his patented father role here which he has much much practice with including the original- Disney - The Parent Trap. In fact with some of the regular folks who worked at Disney often on this one and the animation, the viewer feels like this is a Disney feature.It is not, this is an independent studio and besides the main characters, the supporting cast is absolutely loaded. A young Barbara Hershey is a delight here as Keith's daughter. George Carlin is a rare find acting in a film character and he is here. The minor roles have faces like Jamie Farr (Klinger on TV Mash), Vic Tayback (Mel on Alice), William Christopher ( Father Mulcahey on MASH), Pat Carroll (Disney), Alice Ghostly (Bewitched), Allan Melvin (Sgt Hacker on Gomer Pyle), and more. If that is not enough, music fans are treated to a song by The Grassroots, the groups only appearance outside of shows like American Bandstand. They play Feelings, a really good song.A whole is is more than the sum of it's parts, but this is so much better than the big studios Yours Mine & Ours of the same year it is too bad the little studio film did not get more box office. I really like this one.
Not something I normally watch but hey it was on, I was BORED, nothing else was on TV, I was lucky enough to catch it at the start soooo..... Why not? I'm not sure what to think of this movie.It had its moments.When it 1st started I was thinking give it a chance, who knows? you might like it.Too be honest, it was downhill right from the start.It might be a good movie, it just wasn't my type of movie.Like I said it had its moments.Moments that I can't really remember right now but my favorite moments had to be seeing the other stars that were in the movie.I kept looking for George Carlin but didn't recognize him at all until after the movie was over & I looked him up.When I found out who he was, I was surprised.I also read that Ken Osmond AKA Eddie Haskell had an uncredited role.Another thing I didn't know until after it was over.The other stars were easily recognizable.You might like this movie but I didn't.I was hoping to but.......
WITH SIX YOU GET EGGROLE had the timing misfortune of coming out in the movies at the same time as YOUR, MINE, AND HOURS, the Henry Fonda and Lucille Ball comedy about two people who get married and try to bring their individual broods of three kids each together. Here it was Doris Day and Brian Keith, trying to bring her three sons (John Findlater, Richard Steele, and Jimmy Bracken) and his daughter (a young Barbara Hershey) together, and finding it nearly impossible. Both Day and Keith are widowed, and they knew each other earlier, but their lives drifted apart. She became successful as an lumber yard owner, and he is a successful professional as well. Her sister, Pat Carroll, is trying to get her to remarry (one wonders why - Day's comment that she has a house full of sons and is not lonely, happens to be perfectly sensible...it's not like nobody is in the house since her husband died). Carroll forces the issue by calling Keith up and strong arming Day into inviting him to a dinner party mostly for her Day's clients. And, of course, things click perfectly between the two, until they "elope" to Las Vegas and marry without warning their kids. But that is just it: the kids' reactions to the marriage can make or break it.The kids are he normal bunch, with Findlater self-centered enough about his dates that he ignores his chores keeping his eyes on his brothers, and Hershey having become chief housekeeper for Keith. Naturally the two oldest ones clash all the time, as they are unused to having someone of their own age being suddenly in the way. Hershey keeps slighting Day, seeing her as a rival to her...until a fed up Day, when she hears Hershey complain about how she was a better house keeper, assigns Hershey all the chores for the day (a Friday) while Day goes out shopping. Ghostley (who was off that day) is a housekeeper who is constantly commenting on being overworked (but also quick to remind her boss Day that certain days she's off - or that Day is butting into Ghostley's personal time. Day is also aware of the gorgeous next door neighbor of Keith's (Elaine Devry) who has had her eye on Keith for some time too. Day is not thrilled to hear that Devry was Hershey's baby sitter in the past.The plot is identical to that of the Fonda - Ball film, although the twisted resolution is not quite the same (except in results). Watching it now is like seeing a major film that had many people in it who had substantial careers...but not necessarily on the big screen. Carroll was in several sit-coms in the the 1950s - 1980s. So was Herb Voland, who played her husband here. Alice Ghostly is recalled for BEWITCHED and DESIGNING WOMEN (although she did appear in other films, like THE FLIMFLAM MAN). A young George Carlin plays the manager of a drive in restaurant here - hardly showing his great stand-up wit. He was better in later film parts like OUTRAGEOUS FORTUNE. Two flower children in the film would later reappear together and gain television immortality in M.A.S.H. as "Cpl. Klinger" and "Father Mulcahy" (Jamie Farr and William Christopher). A belligerent chicken farmer whose truck is crashed into twice by Day and Findlater is Vic Tayback, "Mel" on ALICE. And in his only major film credit, Alvin Melvin appeared as a put upon police officer listening to everyone yelling in his station at the end. Not quite as good as his roles in YOU'LL NEVER GET RICH, GOMER PYLE, or ARCHIE BUNKER'S PLACE. It is easy to recall that with all their fine movie work, both Day and Keith had decent successes in television too (in THE DORIS DAY SHOW and FAMILY AFFAIR). Actually the only star of the film with a substantial movie career after it was made was Hershey, as Day did retire from the screen...although Keith would still be available for movies up until the end, when his poor health led him to a tragic suicide.
I absolutely love this movie. People have commented that Doris Day's later movies were not as good as the ones from the early '60s, but I disagree. The storyline here is very engaging, and the characters are superb. I totally lose myself in this movie when I watch it, and I laugh out loud every time. It is fun to follow the timeline of the movie... if you analyze it the entire thing takes place over about 5 months. It begins in June (with Flip and Stacey's graduation), and ends around Halloween (hence the brief appearnces of the Halloween masks). The supporting cast is terrific too, some great old faces that everyone will recognize. If you love the classic comedies of Doris Day, I heartily recommend this one.