I don't have all the words right now but this film is a work of art.

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

The plot is a bit shallow in comparasion to some big blockbuster vampire films, but the group of actors involved make the best of the dull characters they are playing. I found the film to be a bit surreal and random with very little lasting impressions but I couldn't actually turn it off so it had something which kept me interested. I wasn't expecting too much from this film even though the thought of lesbian vampires would be enough to keep most males intent on watching for something, but this wasn't it for me. The set-up of the film was a little grey combined with the weak story a lot of people with short attention span will switch off within 30 minutes and I can not give anyone a reason to watch this film to the end other than it kept me glued but not in a good way.Give it 30 minutes of your time and make your own mind up.

The journalist Sydney St. James (Natalie Brown) is writing an article for the magazine where she works about the on-line dating agency Artemis that is specialized in women. She schedules an interview with the owner of Artemis, Anna (Deborah Odell), and she visits the mysterious woman with her photographer Sam (Sebastien Roberts), who is fascinated by a site called Vampire Web. Sidney feels a great attraction for Anna, who is actually an ancient vampire called Anastasia. Meanwhile the vampire hunter Dr. Abraham Van Helsing (David Carradine) is advised by his assistant Tone (Jordan Van Dyck) about the correlation between Artemis and the Vampire Web, and Van Helsing explains that in every turn of millennium, the vampire sect needs to regenerate, using a woman for this purpose. Van Helsing calls his partner Karpov (Julian Richings) and together they go to Artemis to fight against Anastasia and her sect.I bought this DVD first because I love vampire movies; then the art of the cover of the DVD is extremely attractive; and last but not the least, the name of David Carradine in the credits is a plus. Yesterday night, my wife and I tried to watch this movie but we took many naps so boring it was, and in the end of about 45 minutes running time, we decided to stop "The Last Sect" and watch another one. Today in the end of the afternoon, I have decided to watch this movie again from the very beginning (my wife simply gave up), and I could prove that it is one of the worst vampire movies I have ever seen. The story has a terrible screenplay that develops the plot in a very low pace in three or four locations without the atmosphere of a vampire movie. David Carradine seems to be bored with his lines and the weird Jordan Van Dyck, whose character seems to be a gay living with Dr. Van Helsing but never his assistant. The story has no horror, no tension, no suspense, only some lesbian daydreams and Internet footages with the classic vampires. The lead actresses (Natalie Brown and Deborah Odell) are sexy and gorgeous, but even their sex scenes are boring. In the end, "The Last Sect" is recommended for insomniacs and more effective than sleeping pills. My vote is three.Title (Brazil): "A Última Seita" ("The Last Sect")

The Last Sect is about a group of female vampires that have been roaming the earth for some time, the last vampire sect in existence. Sydney is an artist that gets drawn into the sect by Anastasia, the head vampire, who sees in Sydney the future of the sect. Carradine plays the vampire hunter Van Helsing who tries to stop the sect before it can indoctrinate Sydney. The vampires have a website that transmits live feeds of the vamps biting a helpless male trussed up on a table. People pay to get extras and give their name, address, and blood type of course. Some lesbian soft porn and some soft bondage. Slow moving most of the way through, but some pretty good surrealistic scenes.

In order to make a completely unsatisfying, one hundred percent boring dud of a movie out of the premise of an innocent girl being lured into a cult of lesbian vampires, you have to willfully, perversely (and not in a good way) put in extra effort to sabotage yourself.The film actually has surprisingly good production values, cinematography, etc but it just goes to show how sometimes those things can be a detriment. It's like the makers started shooting without a script hoping the lame, cliché MTVesque little flourishes would make the end product resemble a real movie.I have no problem with bad movies. I have enjoyed many truly terrible movies. The only thing that really infuriates me enough to slam a film maker is when I sense they let a desire to seem tasteful or stylish take precedence over delivering the goods. Or worse were just completely unimaginative and uninspired and hope a veneer of superficial, depressingly Canadian, bland professionalism will cover up the fact that there is no there there. If ya know what I mean.It's just-- Jesus, it was about lesbian vampires for chrissake's and it's endless banal dialogue about... yikes, forget it. God.