Good start, but then it gets ruined

Fantastic!

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Couldn't watch the entire movie. It's really boring.

I save one star reviews for movies that destroy the source material, like Episode 1 or Starship Troopers, so this is getting the lowest I can give.This was colossally ham handed. Every part of it was sub-par, even the performances from otherwise decent actors, but the writing was probably the worst part of it.Choppy, predictable, awkward, and fake. "I'ms sorry I was such a creep"Okay, I understand not wanting to swear, and that this was targeted at a religious audience, but look at Napolean Dynamite; no swearing, and yet there was conflict. Or any well-written TV Drama. Or even any adequate TV Drama. I have to give this review low marks, because I am just incapable of describing how bad this movie really was. I am begging you not to watch it. And I sat through Wesley Snipes' undead cowboy movie and came up with a reason it wasn't horrible. Consider that the scale of this movie's badness.

Lead actor Sean Bean was about 55 when this film was made. He would not have been a boxer just prior to jail 12 years ago. How many white 43 year old boxers are there in L.A.? Why did they pick a 55 year old British Guy to play an American former boxer, who still has boxing in his life? Why not choose an American actor 43, who was 31 before jail? Having said that, yes of course Bean did an admirable job with his role.I think they gave both him and his sister European names, to partially explain away his seemingly non-American quality.Well, the reviews were pretty brutal on this one, and I understand why, but it had plenty going for it too. I have no idea what part of L.A. they used, but they managed to find a white working class area not far from open space. Where is that? White working class stories have not taken place in an L.A. setting since Karate Kid. Anyways, good photography and atmosphere.The Indie music was moody and memorable. Looks like the main singer was born in Germany but sings Americana folk. That was refreshing.At first I thought the kid was the worst actor on the planet, but then I sort of got why he played such a robotic innocent. He was the counter to his uncle's jaded soul. I do totally see why the kid would run into trouble and tragedy, because he had no father and was not taught to keep his guard up. He went about his day in innocence and stuff happened. Later we are to consider that a virtue.My favorite part of the movie by far was the interaction between Tom Arnold's character and our lead. I totally believed that. There are many guys like Arnold's character. I mean average Joes who screw up a lot, never fully grew up, but have some genuine goodness in them. They usually find kindred spirits to hang out with.Would someone like Eva Longoria's character let a guy 16 years her senior pick her up in a supermarket parking lot after desperately asking for her phone number multiple times? I know that everyone says no, but I say yes. She saw that he was family-oriented, playing with his nephew, and that he had a shyness mixed with machismo. Women go for that.There is no mention of Jesus. But the writers slipped in some super awkward religious messages toward the end while purposely not fully explaining. I think the message was that redemption requires effort, resolve, and faith. Most of our lead's cohorts stuck by him, despite his multiple screw-ups. Ultimately, even his abusive dead father redeems things.The story runs super slow, so be prepared for that. Bean's non-American style and awkward age that does not fit the role, will make you squirm. Throw in the even more awkward spiritual ambiguity, and I'll give you credit if you don't hate it. I did not. I actually liked it.

I spent 5 minutes of my life resetting my IMDb password to tell you that this is the most bizarre and stupidest movie I've ever seen. There is no defined tone. The protagonist is flat, flat, flat. This movie is whiter than the movie White Girls. What was going on in that house party / dance scene? just what. There is a scene transition every 30 seconds with the strangest music. The kid plays a robot playing a kid. I am so sorry for the people involved in this film. Someone did them very, very wrong. Of all the Sean Bean movies that he dies, his character survives this, but we'll see if his career does. I'm still just very confused about how this got made. Do people read scripts anymore?