It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

This story has more twists and turns than a second-rate soap opera.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

By the time the dramatic fireworks start popping off, each one feels earned.

Spoiler alert So for the ending that confuses people; Axel has just lost his last shred of character and any sense of ethics by corrupting his student basketball player to get out of his jam. He has absolutely nothing left of value and no reason to live, he has proved himself to be the true coward he has always known himself to be. On a death wish he goes into the ghetto looking for trouble, which he finds with the pimp and prostitute. After goading the pimp into killing him fails, he takes his anger and hatred for himself out on the pimp, and the only thing that stops him from beating the pimp to death is the prostitute's knife. His face sliced open, he staggers down the stairs and looks into the mirror with a smile, as while he wasn't killed at least he has been permanently disfigured. This film is all about self hatred - gambling is just a symptom of what is really going on with Axel.

An exceptional film directed by Karel Reisz and written by James Toback. James Caan is a well-bred college professor & scion of a wealthy family who also happens to be a degenerate gambler. Owing over $40,000 to a bookie, he gets himself into more trouble when he gambles away the pay back money his mother gives him. Caan is exceptional in what has become an iconic role for him, though it's a bit of a stretch to take him seriously reading William Carlos Williams and Dostoevsky to his class. Nevertheless, it's a serious study of a gambler in way too deep and Toback's script is one his best. The excellent cinematography is by Victor J. Kemper and the supporting cast includes Lauren Hutton, Paul Sorvino, Jacqueline Brookes (as Caan's doctor mother) and Morris Carnovsky. A lot of great character actors are in it too: Burt Young; James Woods; M Emmett Walsh; Vic Tayback.

The Gambler is still after thirty years the definitive movie about the gambling experience. I remember the first time i saw this movie when i was in my mid-teens. I had just started my own personal gambling journey, attending my local dog track. There was something very special about this movie and i knew it would have a profound effect on my life. From the beginning, The Gambler is a very dark movie. The opening scenes are of James Caan leaving a casino in the early hours of the morning after losing heavily at the tables. He drives his car recalling his losses and curses to himself. The movie soundtrack plays Gustav Mahler's 1st Symphony (this piece sets the whole tone for the movie in my opinion). Mahler is great for tragedy (remember Death in Venice). Caan's character, Axel Freed, then wipes himself out completely, losing his last 20 bucks to some guys playing basketball for small change. This is the first indication as to Axel's self-destructiveness, that he is always looking for a 'result', be it good or bad. We learn that Axel is a an educated man, very educated. He teaches English as a University Professor. In his gambling though he chooses to play the fool, perhaps purposely. He avoids the 'locks' and sure things and instead courts uncertainty in his never ending craving for thrills and experience. Unless his bet is good for 'action', then it is no good at all. Unfortunately for Axel and everyone he loves (mother, girlfriend, grandfather) this cavalier style of play leads to nothing but financial misery and breakdown of valued relationships (particularly that with his mother, which is also key to the whole film). He is a martingale player in the true sense (double or nothing). One day everything seems to go right and he reaches a plateau when doubling on 18 and drawing a 3! He wins enough to break free from his shylocks, but is still not satisfied and he risks all his profits from his good day on a game of basketball. The scene when he loses this bet in the last second of the game listening to the commentary in the bath is incredibly real to anyone who has gambled for 'proper' money and lost will testify. That feeling of being absolutely sick to your stomach, not to mention the feelings of isolation, guilt and plain stupidity. The film could of ended there in a way, but it goes to another level. To finally free himself of the money lenders (local mob), Axel agrees to fix a college basketball game where he teaches by bribing one of his English students who is the star player on the team. In a close game Axel's student comes through and his debts are cleared. As at the start of the film though, Axel is still looking for a result. The only gamble left to him, is that of his own life. He walks into a bar and picks up a prostitute in the Harlem district of New York. Then he purposely does not pay her which provokes her pimp (Antonio Fargas a.k.a Huggy Bear) into drawing a knife on him. Caan pushes himself onto the knife, daring the pimp to kill him. Fargas pushes him away and Caan begins to beat on him relentlessly. As he drops his knife, the hooker picks it up and slashes Caan. Staggering from the building, Axel sees his reflection. Blood pours from the wound. He smiles to himself, he has his result! Mahler plays... Also watch out for the scene in the film when Axel and leg-breaker for one of the loan sharks visit a guy who cant pay. The first time you watch this its terrifying.

A gritty, realistic film about addiction, it has a bit of haunting atmosphere to it, and although awfully dreary and a touch too harrowing for its own good, the film still packs a punch. Caan has a very interesting character, one who understands his own addiction yet still deceives himself, and he gives off a very solid performance, even though his character does come off rather cold and a bit hard to relate to. What the film shows us and what happens is quite predictable, but that does not prevent it from still having potency, and the ending certainly is not predictable, and is actually rather fascinating. The film's music score fits the project perfectly, and the driving sequences depict the character's feelings very well. Certainly this worth checking out, even if it is no cinema masterpiece.