Good films always raise compelling questions, whether the format is fiction or documentary fact.

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

An old-fashioned movie made with new-fashioned finesse.

Just a poem of sadness and truth. Exquisitely acted, shot and edited. Sound also extraordinary. Needs to be seen.

At the time of this review, this film attained the elusive 100% rating on Rotten Tomatoes, so naturally expectations were exceedingly high. Did Nyoni's feature debut fulfil my thirst for perfection? Not quite. An incident occurs in a remote Zambian village which leaves the villagers to believe that a young girl is a witch, consequently resulting in her being sent to a witches' camp. Contemporary, captivating and surprisingly comical, it's an indie flick that certainly meshes several dichotomies within a tonally inconsistent narrative. Illustrating the modernisation of Zambia but retaining the superstitious and traditional views of an ancient world. The segregation of (typically) older women into camps positioned outside of society is certainly a bleak perspective into the apparent sexism that arises within various cultures. Male characters certainly have more power and authority over females who are seemingly attached to strands of ribbon as if resembling prisoners. It's an intriguing and illusory picture that convincingly enables Nyoni to showcase both her artistry and viewpoint. Enigmatic long takes, a commanding central performance from Mulubwa and gorgeous cinematography by Gallego, there's various aspects to adore in what is a technically flawless film. The utilisation of Vivaldi's composed classical music juxtaposes the chaotic traditions that are being upheld within this community, plus...I love me some Vivaldi. It's unfortunate that I found this film slightly tedious to watch, and that's mainly down to the narrative. The clashing of dark deadpan humour and surreal dramatic perspectives did not blend well for me. It was a disorientating experience fuelled by ambiguity and vivid imagery that just wasn't fully comprehensible. It does occasionally lean towards style over substance. Although, this is still impressive work from Nyoni considering it's her feature debut. A promising career is ahead of her, yet it just wasn't able to cast a spell on me completely.

There are several very interesting podcasts available online where the director explains how she found the protagonist girl (Benfors 'Wee Do) by accident. She also mentions that in some scenes, she wanted to deal with the film's central theme with humour, instead of forcing the viewer to feel guilty for laughing. It may be due to ignorance or lack of knowledge of the cultural context but personally, I did not feel the delicate line between humour and seriousness, between fairy tale and reality. For this very reason, I found these motifs overtly forced and simply too symbolic. At the same time, it is a movie with a really strong imagery and important message. The potential for catharsis is there all the way through the film but sadly, it just did not happen for me this time.

I am Not a Witch is a hilarious and harrowing tale from one of the finest new voices.I am Not a Witch is the debut film from Zambian-born director Rungano Nyoni. It tells the story of a young girl, Shula, accused of witchcraft after a trivial mishap. The phenomenon in Zambia relates not to a cackling Shakespearean witch, but a relatively innocuous kind. These witches change the weather, read minds, and would fly away if untethered. Purportedly. It is a ludicrous social construction used by selfish men to oppress women. Although the subject matter is alarming, the narrative mostly filters through the comedy of its absurdity. The humour is at times reminiscent of Sacha Baron Cohen's movies or Monty Python. It's probably the grandiose confidence of foolish characters. There is a moment where the whole judicial system is reduced to Shula's guess.But a deeper meaning flutters behind the comedy, like the platform behind a racing train. Seen only in the flashes of space between the carriages. This movie certainly has a dark side. And the unexpected appearance of the cold reality almost grated against the lighthearted side. The dark truth appears every now and then like a needle scratched off a record. This is by no means a bad thing. It makes the glimpses of truth all the more impactful after you inevitably lose yourself in the comedy again. The reality behind the movie is no more forgiving once the credits roll, because it ends on one final needle scratch, and leaves you to digest the movie, and its relation to our modern world. There are obvious parallels between the African political system, or lack thereof, and the Trump Administration and post-truth media.The deep truth underlying this movie needs to be heard.The cinematography of I am Not a Witch is also excellent. The shots are very minimalist, giving a sense of realism and intimacy with the narrative, and there are dashes of creative flair, with lingering shots during the realist scenes.Review from Student Pages: https://www.studentpages.biz/i-am-not-witch-review/